Enter the Void via a typographic storm


The sequence begins with a no-holds-barred flash through the entirety of the film’s crew, but really kicks in at about one minute when the names of the cast are introduced.

Brilliantly it manages to use an enormous selection of type and graphics, with even the corporate logos of various film bodies and sponsors become part of the vibrant collage of words. The typography and sequence design was created by Paris-based designer and director, Tom Kan.

The intro hints at the schizophrenic nature of the characters who inhabit a claustrophic, drug- and sex-fuelled vision of Tokyo, while also reflecting the unrelenting neon light that encases the city in the film.

View the Creative `review article here


About laurenmorris

Central Saint Martins graduate, illustrator and designer working at Essence Digital in Soho. View all posts by laurenmorris

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